Michael Craske researches transgressive poetics, music, aesthetics, and perhaps transgressive anything at Queen Mary, University of London (but mainly Swinburne, Wagner, and T. S. Eliot). He was once involved in diplomacy, of a Middle Eastern kind...
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Last month I attended a hugely successful ‘Sounding the Salon’ event, which recreated an after-dinner concert originally given on Wednesday 12 March 1873 by Mary Gladstone – the daughter of the Prime Minister W. E. Gladstone – at the concert’s … Continue reading
This exciting event is happening on Thursday (8 March, 2018) at the British Academy at Carlton House Terrace. It’s a re-creation, in the original space, of a concert that took place in 1873, the details of which come from the … Continue reading
Glad to say that along with the other members of the Sounding Victorian consortium, I’m going to be talking about my research and the project at the Music in Nineteenth-Century Britain Conference at the University of Birmingham next week!
The School of English and Drama at Queen Mary, University of London, has published a blog post about this site and the consortium that it’s to become part of, Sounding Victorian. To read this post on AllthingsSED, please click the image … Continue reading
This terrific adaption of Swinburne’s ‘Kissing Her Hair‘ is by Kurt Schindler (1882-1935). Dramatically different to the previous adaption of the poem I shared – the first-ever piece of music to be inspired by Swinburne’s verse – this beautifully textured song is wistful, reflective, … Continue reading