Michael Craske researches transgressive poetics, music, aesthetics, and perhaps transgressive anything at Queen Mary, University of London (but mainly Swinburne, Wagner, and T. S. Eliot). He was once involved in diplomacy, of a Middle Eastern kind...
Author Archives: Verseandmusic.com
By far the most complex recreation I’ve attempted, this is a section of a setting by Charles Villiers Stanford (1852-1924) of Swinburne’s ‘East to West’. The lyrics were commissioned by Stanford for the ‘Chicago World’s Fair’ or the ‘Chicago Columbian … Continue reading
The School of English and Drama at Queen Mary, University of London, has published a blog post about this site and the consortium that it’s to become part of, Sounding Victorian. To read this post on AllthingsSED, please click the image … Continue reading
Muriel Elliot’s setting of Swinburne’s ‘When the Hounds of Spring’ from his Greek tragedy Atalanta in Calydon (1865), must have been hugely dramatic in performance, and not least at its premiere in the extraordinary venue of the Crystal Palace in 1906. The … Continue reading
While I appear to have broken my rule about only including music set to Swinburne lyrics, this really is a special case. The lyrics were clearly inspired by Swinburne, and – as I can find no clue as to where they have … Continue reading
This terrific adaption of Swinburne’s ‘Kissing Her Hair‘ is by Kurt Schindler (1882-1935). Dramatically different to the previous adaption of the poem I shared – the first-ever piece of music to be inspired by Swinburne’s verse – this beautifully textured song is wistful, reflective, … Continue reading
This strange and slightly drunk waltz by Theophilus Marzials feels apt for the Swinburne poem from which he took the words – ‘Félise’, from Poems and Ballads, First Series (1866). It’s a poem about the ending of an affair, though … Continue reading