Michael Craske researches transgressive poetics, music, aesthetics, and perhaps transgressive anything at Queen Mary, University of London (but mainly Swinburne, Wagner, and T. S. Eliot). He was once involved in diplomacy, of a Middle Eastern kind...
Tag Archives: Poems and Ballads
The following post is related to my article ‘Swinburne, Wagner, Eliot, and the Musical Legacy of Poems and Ballads’ in the Journal of Victorian Culture. In addition to the piece by Francis Hueffer below, if you want to hear the … Continue reading
When I started this project, I would not have imagined Swinburne’s languid ‘The Garden of Proserpine’ from Poems and Ballads, First Series (1866) ever inspiring popular music, and certainly not the tone of this piece by Charles Paston-Cooper (1867-1941). Weary … Continue reading
This is a great rendition of Swinburne’s ‘A Match’ from Poems and Ballads, First Series (1866), by Louis Napoleon Parker (1852-1944). It manages to be sweetly melodic, dramatic and rousing at the same time, with a twist at the line, … Continue reading
This was the first piece of music to be inspired by one of Swinburne’s poems. From 1867, Walter Maynard’s Kissing Her Hair takes its name from the first line of Swinburne’s ‘Rondel‘, from Poems and Ballads (1866). Maynard was the pseudonym of Thomas W. Beale (1828-1894), a … Continue reading
Composed by Adela Maddison (a.k.a. Mrs Brunning Maddison, 1862-1929), from Twelve Songs (Op. 9, No. 3), 1895, London: Metzler & Co. This is a really terrific adaption, translation, or perhaps transmutation of Swinburne’s text. Moody, elemental, maybe it’s music that’s playing poetic and … Continue reading