Michael Craske researches transgressive poetics, music, aesthetics, and perhaps transgressive anything at Queen Mary, University of London (but mainly Swinburne, Wagner, and T. S. Eliot). He was once involved in diplomacy, of a Middle Eastern kind...
Tag Archives: music
This is a great rendition of Swinburne’s ‘A Match’ from Poems and Ballads, First Series (1866), by Louis Napoleon Parker (1852-1944). It manages to be sweetly melodic, dramatic and rousing at the same time, with a twist at the line, … Continue reading
This was the first piece of music to be inspired by one of Swinburne’s poems. From 1867, Walter Maynard’s Kissing Her Hair takes its name from the first line of Swinburne’s ‘Rondel‘, from Poems and Ballads (1866). Maynard was the pseudonym of Thomas W. Beale (1828-1894), a … Continue reading
This is the overture to the 1906 production of Swinburne’s play Atalanta in Calydon (1865), composed by Muriel Elliot, who published the full score in 1912. Originally performed at the Crystal Palace in South London and the (since demolished) Scala Theatre, it … Continue reading
Composed by Adela Maddison (a.k.a. Mrs Brunning Maddison, 1862-1929), from Twelve Songs (Op. 9, No. 3), 1895, London: Metzler & Co. This is a really terrific adaption, translation, or perhaps transmutation of Swinburne’s text. Moody, elemental, maybe it’s music that’s playing poetic and … Continue reading